Monitoring |
Lipinski L-505
JL Audio Fathom F112 Classé Amp |
Consoles | Philips MD12 with Germanium output stage |
Converters |
IZ Radar
Lavry (Gold) AD122-96 Mk III Prism Sound Orpheus |
Microphones |
2 x AKG C414 EB (mit Messingkapsel)
2 x Coles 4038 Bändchenmikrofon Sennheiser MD 441 Sennheiser MD 421 Groove Tubes GT67 tube microphone Groove Tubes GT66 tube microphone Audix D6 bass drum microphone |
Preamps |
Manley Massive Passive EQ
TAB Telefunken V76 2 x Siemens V272 Trident VFM |
Equalizers |
Manley Massive Passive EQ
MyAudioLab PEQ-1 Tube EQ dbx 242 |
Compressors |
Cranesong STC-8
dbx 161 2 x dbx 160X dbx 160A 5 x Drawmer MX30 Drawmer LX20 Alesis 3630 ART Pro VLA II with KeneteK Mod Ashly SC-50 Aphex 651 Expressor |
Effects |
AMS RMX16
Lexicon PCM60 Yamaha SPX 900 Roland RE-201 Space Echo Fisher Space Expander (tube spring reverb) Fostex 3180 (spring reverb) |
Further | SPL Transient Designer |
Software |
Cubase
Samplitude SoundForge WaveLab High grade software compressors and EQs |
Tape | Studer B62 1/4 inch tape recorder |